Jeff Black: Higher Ground

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It is the

sufferings and insecurities

of our lives that, although painful and distressing,

teach us not to cling to the impermanent things of this world.

Not even the greatest master could teach us so well.

We should honor and respect them,

not shun their company.


T’ao-Shan


Slowly, then all at once

earthnationlive2


Whatever else

one thinks of how we live

these days, it’s hard to not see it

as temporary, historically anomalous,

a peculiar blip in human experience. I’ve spent

my whole life riding around in cars, never questioning

whether the makings of tomorrow’s supper would be there waiting

on the supermarket shelves, never doubting when I entered a room that the

lights would go on at the flick of a switch, never worrying about my

personal safety. And now hardly a moment goes by when I

don’t feel tremors of massive change in these things,

as though all life’s comforts and structural

certainties rested on a groaning

fault line.


…Everything

we know about it seems

to indicate that human beings happily

go along with the program — whatever the program is —

until all of a sudden they can’t, and then they don’t. It’s like the

quote oft-repeated these days (because it’s so apt for these times) by surly

old Ernest Hemingway about how the man in a story went broke: slowly, and then

all at once. In the background of last week’s reassuring torpor, one ominous little

signal flashed perhaps dimly in all that sunshine: the price of oil broke above

$81-a-barrel. Of course in that range it becomes impossible for the staggering

monster of our so-called “consumer” economy to enter the much-wished-for

nirvana of “recovery” — where the orgies of spending on houses and

cars and electronic entertainment machines will resume like

the force of nature it is presumed to be. Over $80-a-barrel

and we’re in the zone where what’s left of this economy

cracks and crumbles a little bit more each day,

lurching forward to that moment when

something life-changing occurs

all at once.


James Howard Kunstler