sometimes a wild god

miki kim

 

Sometimes a wild god comes to the table.
He is awkward and does not know the ways
Of porcelain, of fork and mustard and silver.
His voice makes vinegar from wine.

When the wild god arrives at the door,
You will probably fear him.
He reminds you of something dark
That you might have dreamt,
Or the secret you do not wish to be shared.

He will not ring the doorbell;
Instead he scrapes with his fingers
Leaving blood on the paintwork,
Though primroses grow
In circles round his feet.

You do not want to let him in.
You are very busy.
It is late, or early, and besides…
You cannot look at him straight
Because he makes you want to cry.

The dog barks.
The wild god smiles,
Holds out his hand.
The dog licks his wounds
And leads him inside.

The wild god stands in your kitchen.
Ivy is taking over your sideboard;
Mistletoe has moved into the lampshades
And wrens have begun to sing
An old song in the mouth of your kettle.

‘I haven’t much,’ you say
And give him the worst of your food.
He sits at the table, bleeding.
He coughs up foxes.
There are otters in his eyes.

When your wife calls down,
You close the door and
Tell her it’s fine.
You will not let her see
The strange guest at your table.

The wild god asks for whiskey
And you pour a glass for him,
Then a glass for yourself.
Three snakes are beginning to nest
In your voicebox. You cough.

Oh, limitless space.
Oh, eternal mystery.
Oh, endless cycles of death and birth.
Oh, miracle of life.
Oh, the wondrous dance of it all.

You cough again,
Expectorate the snakes and
Water down the whiskey,
Wondering how you got so old
And where your passion went.

The wild god reaches into a bag
Made of moles and nightingale-skin.
He pulls out a two-reeded pipe,
Raises an eyebrow
And all the birds begin to sing.

The fox leaps into your eyes.
Otters rush from the darkness.
The snakes pour through your body.
Your dog howls and upstairs
Your wife both exults and weeps at once.

The wild god dances with your dog.
You dance with the sparrows.
A white stag pulls up a stool
And bellows hymns to enchantments.
A pelican leaps from chair to chair.

In the distance, warriors pour from their tombs.
Ancient gold grows like grass in the fields.
Everyone dreams the words to long-forgotten songs.
The hills echo and the grey stones ring
With laughter and madness and pain.

In the middle of the dance,
The house takes off from the ground.
Clouds climb through the windows;
Lightning pounds its fists on the table.
The moon leans in through the window.

The wild god points to your side.
You are bleeding heavily.
You have been bleeding for a long time,
Possibly since you were born.
There is a bear in the wound.

‘Why did you leave me to die?’
Asks the wild god and you say:
‘I was busy surviving.
The shops were all closed;
I didn’t know how. I’m sorry.’

Listen to them:

The fox in your neck and
The snakes in your arms and
The wren and the sparrow and the deer…
The great un-nameable beasts
In your liver and your kidneys and your heart…

There is a symphony of howling.
A cacophony of dissent.
The wild god nods his head and
You wake on the floor holding a knife,
A bottle and a handful of black fur.

Your dog is asleep on the table.
Your wife is stirring, far above.
Your cheeks are wet with tears;
Your mouth aches from laughter or shouting.
A black bear is sitting by the fire.

Sometimes a wild god comes to the table.
He is awkward and does not know the ways
Of porcelain, of fork and mustard and silver.
His voice makes vinegar from wine
And brings the dead to life.

Tom Hirons

and his bride “make beautiful things from

the margins”, in their words,

do go and marvel

 

we all could use a little mercy now


 
 

The shock of unsettling events
brings fear and trembling.
Move toward a higher
truth and all will
be well.

 

 The tendency of human beings is to rely on the strategies of the ego: desiring, plotting, and striving. When we exercise the ego, our spiritual development stops, and the universe must use shocking events to move us back onto the path. The appearance of the hexagram Chên indicates an immediate need for self-examination, self-correction, and a redevotion to following the path of the Sage. In Chinese, the hexagram translates to mean “thunder over thunder”: a continuing series of shocks occurs until the obstruction in our attitude is removed.

It is important not to react against these shocks.Instead, quiet and open your mind, accept that what is happening has come to teach you a specific and necessary lesson, and look inside to see where you are resisting the will of the Higher Power. The sooner you return to innocence and acceptance, the sooner the shocks will subside. 

Those who maintain a reverence for proper principles and an inner commitment to higher things are unperturbed by shocking events; they simply concentrate on deepening their understanding. If you find yourself feeling threatened by circumstances, withdraw into stillness and meditation. The only remedy for doubt and fear is a reconnection with higher truth.Shock is an important and beneficial teacher to those who follow the path of the Sage. Make good use of this new beginning and good fortune results.

 

from The I Ching, or Book of Changes

Hexagram 51, Chen / The Arousing (Shock)

 

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the thousand-stringed instrument

our own heart must teach us

 

The heart is

The thousand-stringed instrument.

Our sadness and fear come from being

Out of tune with love.

 

All day long God coaxes my lips

To speak,

So that your tears will not stain

His green dress.

 

It is not that the Friend is vain,

It is just your life we care about.

 

Sometimes the Beloved

Takes my pen in hand,

For Hafiz is just a simple man.

 

The other day the Old One

Wrote on the Tavern wall:

 

“The heart is

The thousand-stringed instrument

That can only be tuned with

Love.”

 

Hafiz

the gift