jim harrison: i believe

now that I have you I’ll never forget what I owe you

 

I believe in steep drop-offs, the thunderstorm across the lake

in 1949, cold winds, empty swimming pools,

the overgrown path to the creek, raw garlic,

used tires, taverns, saloons, bars, gallons of red wine,

abandoned farmhouses, stunted lilac groves,

gravel roads that end, brush piles, thickets, girls

who haven’t quite gone totally wild, river eddies, 

leaky wooden boats, the smell of used engine oil,

turbulent rivers, lakes without cottages lost in the woods,

the primrose growing out of a cow skull, the thousands

of birds I’ve talked to all of my life, the dogs

that talked back, the Chihuahuan ravens that follow

me on long walks. The rattler escaping the cold hose,

the fluttering unknown gods that I nearly see

from the left corner of my blind eye, struggling

to stay alive in a world that grinds them underfoot.

 

Jim Harrison

he met the world in darkness and in light

 

there are few that find the path

ernst haas

 

Friend,

please tell me what

I can do about this world I hold to,

and keep spinning out! I gave up sewn clothes,

and wore a robe, but I noticed one day the cloth was

well woven. So I bought some burlap, but I still throw it

elegantly over my shoulder. I pulled back my sexual longings,

and now I discover that I’m angry a lot. I gave up rage, and

now I notice that I am greedy all day. I worked hard at

dissolving my greed, and now I am proud of myself.

When the mind wants to break its link with

the world it still holds on to one thing.

Kabir says: Listen, my friend,

there are very few that

find the path!

 

Kabir

 

with each step, a flower blooms

blossoms

 
A lot

of unimportant inner

litter and bits and pieces have

to be swept out first. Even a small head

can be piled high inside with irrelevant distractions.

True, there may be edifying emotions and thoughts, too, but

the clutter is ever present. So let this be the aim of the meditation:

to turn one’s innermost being into a vast empty plain, with none

of that treacherous undergrowth to impede the view. So that

something of “God” can enter you, and something of “Love,”

too. Not the kind of love-de-luxe that you can revel in

deliciously for half an hour, taking pride in

how sublime you feel, but the love

you can apply to small,

everyday things.
 

 

Looked

at Japanese prints

with Glassner this afternoon.

That’s how I want to write. With that much

space round a few words. They should simply emphasize

the silence. Just like that print with the sprig of blossom in the

lower corner. A few delicate brush strokes—but with what attention

to the smallest detail—and all around it space, not empty but inspired.

The few great things that matter in life can be said in a few words.

If I should ever write—but what?—I would like to brush in a

few words against a wordless background. To describe

the silence and the stillness and to inspire them.

What matters is the right relationship between

words and wordlessness, the wordlessness

in which much more happens than

in all the words one can

string together.

 

Etty Hillesum

 

The mind

can go in a thousand

directions, but on this beautiful

path, I walk in peace. With each step,

the wind blows. With each step,

a flower blooms.

 

Thich Nhat Hanh