
Outwardly, all activities
cease; inwardly, the mind stops
its panting. When one’s mind has
become a wall, then he may
begin to enter
the tao.

Outwardly, all activities
cease; inwardly, the mind stops
its panting. When one’s mind has
become a wall, then he may
begin to enter
the tao.

Favor
and disgrace are
equally problematic. Hope
and fear are phantoms
of the body.
What
does it mean that
“favor and disgrace are
equally problematic”? Favor
lifts you up; disgrace knocks you down.
Either one depends on the opinions
of others and causes you to
depart from your
center.
What
does it mean that
“hope and fear are phantoms
of the body”? When you regard your
body as your self, hope and fear have real
power over you. If you abandon the
notion of body as self, hope
and fear cannot
touch you.
Know
the universe as
your self, and you can live
absolutely anywhere in comfort.
Love the world as your self,
and you’ll be able
to care for it
properly.
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Turn the caldron
of your self upside down
and pour out what is inferior.
By purifying yourself of bad habits
and attitudes now you make
possible outstanding
achievements.
from The I Ching, or Book of Changes
Hexagram 50, Ting / The Caldron
ebooks & apps of the Tao the Ching, I Ching,
Hua hu Ching, and Art of War for
You
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the I Ching as part of a
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for iPhone or iPad for less than
the cost of one hardcover
book.


A master’s
handiwork cannot
be measured but still priests wag
their tongues explaining the “Way” and
babbling about “Zen.” This old monk has
never cared for false piety and my
nose wrinkles at the dark smell
of incense before the
Buddha.
Crazy Cloud
speaks of Daito’s unsurpassed
brilliance but the clatter of royal carriages
about the temple gates drowns him out and no
one listens to tales of the Patriarch’s long
years of hunger and homelessness
beneath Gojo Bridge.
In order to deepen his Zen understanding, Daito Kokushi (also known as Shuho Myocho, 1281-1338), the founder of Daitoku-ji, passed a number of years hiding out among the beggars clustered about Kyoto’s Gojo Bridge.

what you should know to be a poet
Enough of osseous and chickadee and sunflower
and snowshoes, maple and seeds, samara and shoot,
enough chiaroscuro, enough of thus and prophecy
and the stoic farmer and faith and our father and tis
of thee, enough of bosom and bud, skin and god
not forgetting and star bodies and frozen birds,
enough of the will to go on and not go on or how
a certain light does a certain thing, enough
of the kneeling and the rising and the looking
inward and the looking up, enough of the gun,
the drama, and the acquaintance’s suicide, the long-lost
letter on the dresser, enough of the longing and
the ego and the obliteration of ego, enough
of the mother and the child and the father and the child
and enough of the pointing to the world, weary
and desperate, enough of the brutal and the border,
enough of can you see me, can you hear me, enough
I am human, enough I am alone and I am desperate,
enough of the animal saving me, enough of the high
water, enough sorrow, enough of the air and its ease,
I am asking you to touch me.
24th Poet Laureate of the United States