try to praise the mutilated world

travel light

 

Try

to praise

the mutilated world.


Remember June’s long days,


and wild strawberries, drops of rosé wine.


The nettles that methodically overgrow


the abandoned homesteads

of exiles.


 

You

must praise

the mutilated world.


You watched the stylish yachts

and ships;
 one of them had a long trip

ahead of it,
 while salty oblivion awaited others.


You’ve seen the refugees going nowhere,


you’ve heard the executioners

sing joyfully.


 

You

should praise

the mutilated world.


Remember the moments when

we were together 
in a white room and

the curtain fluttered.
 Return in thought to

the concert where music flared.
You

gathered acorns in the park in

autumn 
and leaves eddied

over the earth’s

scars.


 

Praise

the mutilated world


and the gray feather a thrush lost,


and the gentle light that strays

and vanishes
 and

returns.

 

Adam Zagajewski

 

know what came before time

pipeline, kevin krautgartner

 

Looked

at but not seen,

listened to but not heard,

grasped for but not held, formless,

soundless, intangible: the tao

resists analysis and defies

comprehension.

 

Its rising

is not about light,

its setting not a matter of

darkness. Unnameable, unending,

emerging continually, and continually

pouring back into nothingness, it is

formless form, unseeable image,

elusive, evasive unimaginable

mystery. Confront it, and

you won’t see its face.

Follow it and you

can’t find an

end.

 

Perceive its

ancient subtle heart, however,

and you become master of the moment.

Know what came before time, and

the beginning of wisdom

is yours.

 

from The Tao te Ching of Lao Tzu,

Chapter 14

 

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don’t die

geoff mcfetridge

 

After the birthing of bombs of forks and fear
the frantic automatic weapons unleashed,
the spray of bullets into a crowd holding hands,
that brute sky opening in a slate metal maw
that swallows only the unsayable in each of us, what’s
left? Even the hidden nowhere river is poisoned
orange and acidic by a coal mine. How can
you not fear humanity, want to lick the creek
bottom dry, to suck the deadly water up into
your own lungs, like venom? Reader, I want to
say: Don’t die. Even when silvery fish after fish
comes back belly up, and the country plummets
into a crepitating crater of hatred, isn’t there still
something singing? The truth is: I don’t know.
But sometimes, I swear I hear it, the wound closing
like a rusted-over garage door, and I can still move
my living limbs into the world without too much
pain, can still marvel at how the dog runs straight
toward the pickup trucks break-necking down
the road, because she thinks she loves them,
because she’s sure, without a doubt, that the loud
roaring things will love her back, her soft small self
alive with desire to share her goddamn enthusiasm,
until I yank the leash back to save her because
I want her to survive forever. Don’t die, I say,
and we decide to walk for a bit longer, starlings
high and fevered above us, winter coming to lay
her cold corpse down upon this little plot of earth.
Perhaps we are always hurtling our body towards
the thing that will obliterate us, begging for love
from the speeding passage of time, and so maybe,
like the dog obedient at my heels, we can walk together
peacefully, at least until the next truck comes.

 

24th Poet Laureate of the United States