
it is not something you can attain by embellishment
The Canon is still full of old paper
seventeen-hundred tangled vines
who can see through the mess
one thought is still too many
Red Pine’s “The Zen Works of Stonehouse”

it is not something you can attain by embellishment
The Canon is still full of old paper
seventeen-hundred tangled vines
who can see through the mess
one thought is still too many
Red Pine’s “The Zen Works of Stonehouse”

lucien stryk on shinkichi takahashi
I hold a newspaper, reading.
Suddenly my hands become cow ears,
Then turn into Pusan, the South Korean port.
Lying on a mat
Spread on the bankside stones,
I fell asleep.
But a willow leaf, breeze-stirred,
Brushed my ear.
I remained just as I was,
Near the murmurous water.
When young there was a girl
Who became a fish for me.
Whenever I wanted fish
Broiled in salt, I’d summon her.
She’d get down on her stomach
To be sun-cooked on the stones.
And she was always ready!
Alas, she no longer comes to me.
An old benighted drake,
I hobble homeward.
But look, my drake feet become horse hoofs!
Now they drop off
And, stretching marvelously,
Become the tracks of the Tokaido Railway Line.

Every instance
of recognizing a teacher
is an authorization of spiritual power.
The most important one of these, and the only
absolutely necessary one on the way to
complete realization, is recognizing
yourself as your own
teacher.

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Wei wu Wei Ching as part of a
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The perfect Way’s like boundless space
Nothing lacking, nothing extra
It is because of choice
That its absolute truth is lost.
Don’t pursue externals;
Don’t dally in the interior void.
When the spirit remains serene
In the unity of things
Dualism vanishes by itself;
When that unity is not clear
There is loss in both directions.

Let go of hundreds
of years and relax completely.
Open your hands and walk, innocently.
Thousands of words, myriad interpretations,
are only to free you from
obstructions.