the value of poverty

 

A certain man

was constantly bewailing his poverty.

Ibrahim ibn Adham said to him, “My son, perhaps

you paid little for your poverty.” “You are talking nonsense,”

said the man, “You should be ashamed of yourself.

Does anyone buy poverty?”

 

Ibrahim replied,

“For my part I chose it of my own free will;

moreover, I bought it at the price of this world’s sovereignty

and gave up my kingdom and my ruling over others. I would buy

one instant of this poverty again with a hundred worlds, for every moment

it becomes worth more to me. When I found this precious merchandise,

I gave my final farewells to royalty. Without any doubt I know

the value of poverty. While you remain in

ignorance of it, I give thanks

for it.

 

Ibrahim ibn Adham

 

embrace the oneness


 

What good

is it to spend your life 

accumulating material things? 

It isn’t in keeping with the Tao. What

benefit in conforming your behavior to someone’s

conventions? It violates your nature and dissipates 

your energy. Why separate your spiritual life

and your practical life? To an integral

being, there is no such 

distinction. 

 

Live simply

and virtuously, true to

your nature, drawing no line

between what is spiritual and what is

not. Ignore time. Relinquish ideas and

concepts. Embrace the Oneness. 

This is the Integral

Way. 

 

Hua hu Ching, Chapter 50

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sometimes a wild god

miki kim

 

Sometimes a wild god comes to the table.
He is awkward and does not know the ways
Of porcelain, of fork and mustard and silver.
His voice makes vinegar from wine.

When the wild god arrives at the door,
You will probably fear him.
He reminds you of something dark
That you might have dreamt,
Or the secret you do not wish to be shared.

He will not ring the doorbell;
Instead he scrapes with his fingers
Leaving blood on the paintwork,
Though primroses grow
In circles round his feet.

You do not want to let him in.
You are very busy.
It is late, or early, and besides…
You cannot look at him straight
Because he makes you want to cry.

The dog barks.
The wild god smiles,
Holds out his hand.
The dog licks his wounds
And leads him inside.

The wild god stands in your kitchen.
Ivy is taking over your sideboard;
Mistletoe has moved into the lampshades
And wrens have begun to sing
An old song in the mouth of your kettle.

‘I haven’t much,’ you say
And give him the worst of your food.
He sits at the table, bleeding.
He coughs up foxes.
There are otters in his eyes.

When your wife calls down,
You close the door and
Tell her it’s fine.
You will not let her see
The strange guest at your table.

The wild god asks for whiskey
And you pour a glass for him,
Then a glass for yourself.
Three snakes are beginning to nest
In your voicebox. You cough.

Oh, limitless space.
Oh, eternal mystery.
Oh, endless cycles of death and birth.
Oh, miracle of life.
Oh, the wondrous dance of it all.

You cough again,
Expectorate the snakes and
Water down the whiskey,
Wondering how you got so old
And where your passion went.

The wild god reaches into a bag
Made of moles and nightingale-skin.
He pulls out a two-reeded pipe,
Raises an eyebrow
And all the birds begin to sing.

The fox leaps into your eyes.
Otters rush from the darkness.
The snakes pour through your body.
Your dog howls and upstairs
Your wife both exults and weeps at once.

The wild god dances with your dog.
You dance with the sparrows.
A white stag pulls up a stool
And bellows hymns to enchantments.
A pelican leaps from chair to chair.

In the distance, warriors pour from their tombs.
Ancient gold grows like grass in the fields.
Everyone dreams the words to long-forgotten songs.
The hills echo and the grey stones ring
With laughter and madness and pain.

In the middle of the dance,
The house takes off from the ground.
Clouds climb through the windows;
Lightning pounds its fists on the table.
The moon leans in through the window.

The wild god points to your side.
You are bleeding heavily.
You have been bleeding for a long time,
Possibly since you were born.
There is a bear in the wound.

‘Why did you leave me to die?’
Asks the wild god and you say:
‘I was busy surviving.
The shops were all closed;
I didn’t know how. I’m sorry.’

Listen to them:

The fox in your neck and
The snakes in your arms and
The wren and the sparrow and the deer…
The great un-nameable beasts
In your liver and your kidneys and your heart…

There is a symphony of howling.
A cacophony of dissent.
The wild god nods his head and
You wake on the floor holding a knife,
A bottle and a handful of black fur.

Your dog is asleep on the table.
Your wife is stirring, far above.
Your cheeks are wet with tears;
Your mouth aches from laughter or shouting.
A black bear is sitting by the fire.

Sometimes a wild god comes to the table.
He is awkward and does not know the ways
Of porcelain, of fork and mustard and silver.
His voice makes vinegar from wine
And brings the dead to life.

Tom Hirons

and his bride “make beautiful things from

the margins”, in their words,

do go and marvel

 

the basis of the universe is stillness

 

The true basis
of the universe is stillness,
its real condition, for out of it comes
all activity. The ocean, when the wind ceases,
is calm again, as are the trees and grasses.
These things return to stillness,
their natural way.

And this is the
principle of meditation.
There is night, there is day,
when the sun sets there is a hush,
and then the dead of night,
when all is still. This
is the meditation
of nature.

Rosen Takashina

(1876-1968)